This long piece opens with a gentle, classically oriented canon which features unison voice and basset horn in an octave interval, with a keyboard bass ostinato providing the foundation. The piece then adopts a more vigorous double-time rhythm with featured solo excursions for tenor sax and then soprano sax. It then eases back into a relaxed groove which features operatic female vocals and alto flute before ending with staccato patterns from the keyboards and a final improvised solo from the tenor sax.